Mixing With Mike Mixing Tip on Using Fast Attack Compression on Drums Michael White. In this type of frequencies, I would like to use a high safety factor such as 10. This is the case of the new BEYOND Variable Speed Compressor (VSC) system, where two compressors in each channel—a slow-acting compressor and a fast-acting compressor—work in parallel to determine the … Short attack times will result in a fast response to sudden, loud sounds, but will make the changes in volume much more obvious to listeners. Just let the tone of the plugin do the job. One approach is the use of both fast-acting and slow-acting compression in the same hearing aid, but let each dominate the overall processing depending on the listening situation. Slower attack times suit mastering uses and buss compression. You also want instant attack when sidechaining tracks to the kick or other important elements that warrant a sidechain from. Set the release too fast and you risk an unnatural pumping effect. Attack and release define whether the compressor reaches its full range of gain reduction right away or more gradually. Finally, slow down the attack time until you hear the transient pass through. The point of sidechain compression is to move sound out of the way for the important element to come through the mix clearly. B. The slowest attack time on a FET compressor is still faster than a tube compressor. That's How to Use a Compressor on Vocals! If you then set the release time very fast, the gain reduction will also reset very rapidly — well before the drum sound has finished, such that the lower‑level tail of the drum hit won't be compressed as much. On vocals a fast attack can tame the over-powered singer who doesn’t know how to work the mic. Set the attack too fast and your transients will be crushed. Watch a free lesson today. This combination lets you more precisely set the amount of compression and how loud a note must be in order to initiate gain reduction. 6. Studies on the effect of hearing aid compression time constants and compression ratios indicate that while fast regulation times may increase objectively measured speech intelligibility scores, slow regulation times seem to have a positive effect on 770 AudiologyOnline Article For one thing, they almost always offer attack and release controls. If your attack is set to 5ms, the compressor is going to kick in quickly and affect the initial attack of the note. Percussive instruments may need a very fast attack to prevent signal overload due to transients. They note that “fast” and “slow” compression release times refer to the time it takes for the circuit to return to the nominal gain value. Release: How long the compressor holds onto the signal once the input signal drops below the threshold. Key to Attack/Release-Times Mentioned Below. A slow attack can help the listener "grab onto" a sound, but won't sound great on vocals. Used linked mode and got about 2dB of gain reduction. You'll typically want to stick with a faster release in general. Fast = 25-50ms; Medium = 100-500ms; Slow = 1–2sec (all are plus or minus). Together, they are the most crucial settings for achieving natural, musical sounding compression. Set the release too fast and you risk an unnatural pumping effect. FET compression is often used when color is desired, fast attack times are required, or both. Setting an attack time that’s too fast. Attack and Release define whether the compressor reaches its full range of gain reduction right away or more gradually. Start with fast attack/fast release and set the threshold to detect the signal’s transients. Solution: Use sidechain compression VCA compressors are exceptionally useful due to a wide range of attack/release times and great controllability which allows them to simulate the sounds of a slow, smooth optical compressor and a super fast, snappy FET compressor. In the signal once the input signal is above the threshold can see, there no. 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