See the Sony 24-105mm f/4. Sony’s six “GM” Grand Master lenses are particularly strong and the collection of primes is growing including the recent addition of Sigma Art lenses, which is a very exciting development. There is a lot to like about the 28mm f/2 from Sony, and most notably the price. Learn more about this lens in our full review of the Sigma 19mm f/2.8 EX DN. But Sony later added the G Master version, which—for serious landscape photographers and other wide-angle professionals who frequently shoot at night—is difficult to pass up. It takes most decision making and lens switching out of the equation. A smart hack that experienced photographers will probably tell you is that you can seek out third-party lenses that are compatible with your camera brand and achieve the same effect: high-quality images. Adapters also tend to be noisy, making you cringe a bit when changing aperture and grabbing focus. As far as image quality goes, the Zeiss Loxia 21mm will not disappoint. What makes this lens so useful is the variety of features including the smooth autofocus motor (SAM), which directly rotates the focus mechanism for smooth operation and quiet performance. Bear in mind the lens isnât created for video, just for still photography, and you need to be prepared for some noise when youâre using the autofocus.Â. We previously had the 70-200mm f/4 ranked higher due to availability issues with the f/2.8 GM, but that has been resolved and it’s now readily in stock online and in stores. You always can walk closer to your subject to mimic a 35mm or 50mm lens, but 28mm certainly wouldn’t be our first choice. Given the Sigma options for Canon and Nikon full-frame cameras, we expect to see various zooms hit the market in the future. Sony has two lens mount types: FE (full frame) and E (APS-C). For outdoor photographers using the Sony Alpha system, it’s a must-have lens. Enter the 100-400mm f/4.5-5.6, which is another premium lens in Sony’s heralded G Master lineup. Clip Studio Paint Pro: A Cult Favorite with Serious Legs. The lens is retractable, meaning when powered it expands, but returns to its âstartingâ position when powered off. Sonyâs A7 Series full-frame mirrorless cameras are an instant hit amongst travel photographers who need the quality imagery that full-frame DSLRs produce minus the bulk associated with it. That’s why we’ve gathered together this list of worthwhile cheap lenses for Sony cameras, to make your decision a little less painful. And you will be sacrificing low light performance and depth of field with the aperture maxing out at f/4. It was big news when Sony released the 16-35mm f/2.8 GM above, but they coupled that with the 12-24mm f/4. Other wide-angle prime options from Zeiss include the 21mm Loxia, but that lens is manual focus and not quite as wide as we prefer for landscapes.See the Zeiss Batis 18mm f/2.8, Category: Travel/portraitWeight: 23.4 oz.What we like: Super sharp and way cheaper than the Sony equivalentWhat we don't: Autofocus is slightly slower than the Sony 35mm f/1.4. For those looking to try out astrophotography or any type of night shooting, lower numbers are a huge plus and it's not recommended to get anything slower than f/2.8. For those who want a little more reassurance, we recommend keeping your camera covered by one of the many protective covers available. Typically, the more expensive the lens is, the higher quality the build will be, which often translates into it being more weather resistant. Many people considering this lens are on the fence between it and the 24-70mm GM above. Last but not least, many landscape photographers generally shoot in good natural light and don’t need the extra stop of aperture (it’s generally much less important than with an indoor lens). Sony made a big splash with the release of the speedy a9 camera body, but they needed the telephoto lenses to match. The Neewer 35mm f/1.7 is compatible with Sony E-Mount digital mirrorless cameras such as NEX 3, NEX 3N, NEX 5, and others. Combined with the stabilisation in your lenses (should you have lenses with IS), you will be surprised at how long you can handhold the ⦠Aperture is measured in f-stops, and the lower the f-stop (f/2.8, f/1.8, etc. Get all the info you need about this lens in our Samyang AF-E 35mm f/2.8 FE review. Check out our top picks for those: Your email address will not be published. Category: Wide angleWeight: 11.6 oz.What we like: Incredible sharpness and color rendition.What we don’t: Not heavy but a little bulky. The Samyang AF-E 35mm f/2.8 FE is compatible with Sony E-mount cameras. We think you can’t go wrong with either, and for those who specialize in wide-angle photography, a Zeiss prime is a real treat.See the Zeiss Loxia 21mm f/2.8. See the Sony 100-400mm f/4.5-5.6 GM. At a whopping 39.9 ounces, it's 10 ounces heavier than the Sony 85mm f/1.4 GM, which makes carrying it around laborious and may be a deal breaker for those looking to shave ounces from their camera bag. And on newer Sony full-frame cameras like the a7R IV, it’s going to have trouble standing up to the resolution of the image sensor. Full-frame cameras are the best of the best: they have the largest sensors, the most megapixels, and lenses that are simply unmatched. Make sure to keep focal length equivalent in mind: FE lenses will be 1.5x longer on an APS-C camera (a 50mm lens will behave like a 75mm lens, etc.). This lens is tack sharp even when wide open, produces creamy bokeh that you just can’t replicate with a slower lens, and boasts excellent build quality. It’s a tough call between this and the Batis 18mm above, which has autofocus and is wider from a focal length perspective but offers similar overall image quality. The Sony E PZ 16-50mm f/3.5-5.6 OSS is compatible with E-mount cameras, but owners of A-mount devices can also use it. This makes adapters less attractive for those shooting action or video, but it can be a hindrance for stills, too. Interestingly, this lens is one of the first fixed focal length lenses in the DT series designed specifically for DSLR cameras with an APS-C sensor. The f/1.8 aperture is bright enough to allow handheld shooting in low-light conditions meaning you can take photos at night and in dim interiors. Itâs also worth noting that the range of lenses for Sony full frame cameras is steadily growing, and offers every focal length most photographers would ever need. Both lenses are far superior to the disappointing 50mm f/1.8, which hits an attractive price point but is just not up to the standards of Sony’s full-frame cameras. Get speedy shooting and DSLR-style camera quality with the Sony Alpha SLT mirrorless cameras. Welcome to our Darkroom! The tipping points for us have been cost and weight: the f/4 is considerably cheaper (around $900 at the time of publication) and weighs nearly 6 ounces less. Unlike most lenses with conventional apertures, the Sony DT 50mm f/1.8 SAM has a circular aperture which enhances the bokeh effect of the blurred background. Sony doesn't specifically advertise their lenses as being completely weather sealed, but they do have a certain level of dust and moisture resistance built in. Sonyâs FE 50mm f/1.8, for full-frame E-mount cameras, is ideal for taking portraits, but it can have other applications as well. For comparison sake, the conventional aperture usually creates unappealing polygonal-shaped defocused points of light. Both are easy to overlook if this is your most used focal length, but the 55mm f/1.8 does a pretty good job without those downsides. DxO PhotoLab 3: The Best Digital Darkroom? Autofocus operates in a quiet manner and makes the lens an excellent option for both still images and videos. If you are ok with manual focusing lenses and are looking for something optically very sharp and at a reasonable budget then the Samyang 85mm f/1.4 is an excellent choice. But with their 24-105mm f/4, Sony has a winner. But the 24-70mm f/2.8 GM more than makes up for it with image quality, which is the reason it is the premier FE-mount lens.See the Sony 24-70mm f/2.8 GM. Best Sony lenses 2021 at a glance: Sony FE 24mm f/1.4 GM; Sony FE 16-35mm f/2.8 GM; Sony FE 85mm f/1.4 GM; Sigma 24-70mm f/2.8 DG DN Art; Sigma 14-24mm f/2.8 DG DN Art; Sigma 50mm f/1.4 DG HSM Art Aside from the common complaint of Sigma lenses being bulky and heavy, the major concern with the 35mm f/1.4 Art is the speed of the autofocus. Category: TelephotoWeight: 30.1 oz.What we like: A relatively inexpensive telephoto option for FE. Lumoid tracks all-time low prices for thousands of photography-related products. However, from an optical standpoint, this lens just doesn’t stack up. All in all, we like the Sony 70-300mm best for APS-C cameras (the focal length equivalent is a whopping 105-450mm), but less so for full frame.See the Sony 70-300mm f/4.5-5.6. The addition of the Optical Steady Shot image stabilization system decreases the effect of camera shake. Lenses with this maximum aperture or faster are solid low light performers and can achieve the creamy bokeh that professionals love (most of Sony’s current GM zoom lenses are f/2.8 or faster, for example). These issues aside, it’s a really fun ultra wide that compliments the 24-70mm f/2.8 nicely in terms of focal lengths.See the Sony 12-24mm f/4. There may be some G Master fatigue by the end of this article, but this premium lens series is just that good. We personally find that a quality 16-35mm goes wide enough for most uses, but there certainly is demand for a true ultra wide and Sony answered the call. When you factor the significant discount, serious portrait photographers should have a lot to like about this lens. I would normally choose a fifty for this, but Iâm going another way with fifties so Iâll take the Canon nFD 2/100. Professionals and enthusiasts love the faster f/1.4 maximum aperture of the latter, but the 55mm f/1.8 offers great sharpness and is cheaper. When Is the Right Time to Upgrade Your Camera? Yes, Sony produce a wide range of E mount lenses for both APS-C and 35 mm full-frame camera sensor formats. From an image quality standpoint, the 55mm f/1.8 is surprisingly impressive. hottest photography, drones, and accessories. The lens is super sharp, focuses quickly and accurately, and produces creamy bokeh. In other articles we recommend all-in-one lenses more highly, and particularly for APS-C cameras, but it’s more difficult for such a stellar system like Sony FE. Read more about us. Portrait photographers have a number of intriguing options at the 85mm focal length, but our favorite of the bunch is the Sony 85mm f/1.8. What we don’t: Low light performance and softness toward the edges. Finally, the lens does not take screw-on filters due to its bulbous shape. However, since we're sticking to cine lenses, and more importantly lenses with T-stops, it really narrows down the Sony options to just one, which will be ⦠Then this might be the solution. A large number of FE-mount and E-mount lenses are co-branded (called “Sony/Zeiss”). If you shoot a lot of street and travel photography and are looking for a simple, high quality piece of glass to cover most of your needs, we'd highly recommend picking up a 35mm prime. Enjoy full frame features on cameras with fast autofocus. Finding cheap lenses for Sony cameras is pretty easy because they come at a variety of prices, and one can also find third-party lenses. ), the larger the opening and the more light can enter. Besides still images, the Sony E PZ 16-50mm f/3.5-5.6 OSS allows you to record videos. And realistically, the large focal length range of the 24-240mm means that it's lacking in pro-level optics. One of our favorites is the 85mm f/1.4, which is extraordinarily sharp, creates beautiful bokeh, and stacks up competitively to Sony's f/1.4 GM in terms of image quality. In addition, the weight of 15.2 ounces is quite respectable for a zoom lens of this type, which is less than half the f/2.8 GM. Above in the article, we’ve already discussed the Sony FE 50mm lens, but unlike the previous one which is compatible with E-mount cameras, this lens is suitable for A-mount devices. At this focal length, it's a dream pairing for the a7R IV. The mirrorless revolution is in full swing. What are the downsides of the Sony 12-24mm f/4? In conclusion, the Sony a7 III doesnât really offer anything more than the other latest Sony releases, but instead it offers a combination of all the best ⦠On a compact camera like the Sony a7R IV, it definitely can feel like a bulky piece of glass. Due to the f/1.7 aperture, the lens allows you to take great photos in dim areas and at night. What we don't: Slower than the Sigma and Sony 85mm f/1.4s. A handful of years ago, Sony released its first “GM,” or Grand Master, lenses, which are the premium full-frame zooms for Sony mirrorless. Find out all ⦠The zoom vs. prime distinction varies by camera type, and Sony now has a strong batch of FE zooms (the f/2.8 trifecta of 16-35mm, 24-70mm, and 70-200mm is now covered). Head on over to our complete Sony DT 35mm f/1.8 SAM review to find out more. In addition, Sony recently released the 200-600mm f/5.6-6.3, along with 400mm f/2.8 and 600mm f/4 primes. But times have changed, including the release of the Sony 200-600mm f/5.6-6.3, resulting in more telephoto options for FE. For Sony FE, first came the mediocre Sony 28-70mm f/3.5-5.6, then the decent Sony 24-70mm f/4, but neither was up to professional standards at this crucial focal length range. The 24-70mm f/2.8 GM is the lens that made Sony’s full-frame mirrorless cameras truly competitive with Canon and Nikon. It's also important to avoid changing lenses in inclement weather as breaking the seal between your lens and camera will expose your equipment's vulnerable points. It’s not particularly sharp, has healthy levels of distortion, and the autofocus is mediocre. The super multi-layer coating decreases ghosting and flare while providing sharp and high-contrast photos even at maximum aperture. What we donât:A bit on the bulky side. 55 reviews. For more background information, see our Sony FE lens comparison table and buying advice below the picks. We’ll start with the good news: this is Sony’s cheapest true telephoto lens, and it’s $200 less than the 70-200 f/4. What we don’t: Distortion and softness. Category: Wide angleWeight: 19.9 oz.What we like: A true ultra-wide for Sony full frame.What we don’t: Doesn’t take screw-on filters. Amateur photographers often are attracted to the convenience of all-in-one lenses, and rightfully so. Regardless of whether you prefer Sony's more expensive native lenses or Sigma's cheaper third-party models, it's great to have more options. Lenses are less at risk from the elements than camera bodies, but still can be negatively impacted by dust, moisture, and all of the things that can happen while shooting in extreme environments. If you prefer autofocus, this lens may not be for you. Below we break down the best Sony FE (full frame) lenses, including zooms and primes from wide angle to telephoto. On the other hand, Sony E-mount (APS-C) lenses are not compatible on Sony full-frame cameras. Discover our high quality interchangeable camera lenses including A-mount and E-mount lenses crafted for a range of shooting situations. The combination of features, quality and, of course, price, make it hugely attractive. What we don't: Can’t beat the optics of the 24-70mm GM above. Moreover, most people don’t use a 16-35mm lens as frequently in low light as a more indoor-friendly zoom like a 24-70mm f/2.8, plus Sony's latest cameras have superb ISO sensitivity. The best adapter for Canon to Sony FE, for example, is $395 and is on its fifth rendition to date plus firmware updates. One of its big selling points is the full frame sensor and the resulting shallow depth of field along with light gathering ability and everything else that goes into the fabled âFull-frame ⦠This lens is super sharp and will save you a ton compared to the Sony equivalent. All things considered, it’s the real deal at 50mm. It’s not a bad lens by any means, and it matches pretty well with older Alpha cameras, but we prefer the f/2.8 or faster primes. But most people will be happy saving with the f/4. Your email address will not be published. Multiplying the APS-C lens focal length by a crop factor of 1.5, reveals the ⦠It's also worth noting that Sigma lenses generally are bulky and heavier than the field, but the cost savings and performance are what catches most people's attention. Thanks to our inspection and grading process, youâll never have to worry about getting cheap Sony lenses.We offer autofocus lenses ⦠Category: Travel/portraitWeight: 27.4 oz.What we like: Better low light performance than the 55mm f/1.8.What we don’t: Heavy for a prime. And given that this was the first wide-angle zoom for Sony FE, a number of professionals readily adopted this lens during the wait for the inevitable GM version. Category: TelephotoWeight: 49 oz.What we like: A super tele to match the capabilities of the Sony a9 and a7R IV.What we don’t: Some people may still want to add a teleconverter for even more reach. Our unbiased reviews, industry news, and opinion pieces are designed to inform and inspire the next generation of great photographers. Suitable for E-mount cameras, the Sigma 19mm f/2.8 EX DN provides excellent correction for distortion, field curvature, and color aberration thanks to three-glass mold aspherical lenses. Full-Frame â Canon FD lenses were designed for full-size 35mm film coverage, so you donât have to worry about vignetting on the a7S IIâs full-frame sensor. Third-party lenses abound for full-frame DSLRs, including from brands like Sigma and Tokina. For a workhorse lens for travel and everyday use, the 24-105mm is a great option. It’s easy to think that you can only use Sony lenses on a Sony camera, but it doesnât have to be like that. It’s also heavier than either of those two lenses at a whopping 31.3 ounces. When investing in a Sony digital camera system, youâll want to ensure you have the accompanying lenses you need.To find the best used Sony camera lenses at affordable prices, shop our inventory. Similar to Canon’s “L” series, Sony “GM” lenses are the best of the best. Make sure to keep focal length equivalent in mind: FE lenses will be 1.5x longer on an APS-C camera (a 50mm lens will behave like a 75mm lens, etc.). When discussing cheap lenses for Sony cameras, it’s impossible not to mention Sigma’s products. Back when only the 16-35mm f/4 was in existence, we were quite happy with the image quality provided by that lens. Lenses with both “Sony” and “Zeiss” in the title are co-branded, while lenses with “Batis” and “Loxia” are exclusively Zeiss. For those who need even more reach, Sony does offer two teleconverters, a 1.4x and 2.0x, both of which are compatible with this lens on the a9 and a7R IV. What are the major differences, aside from the price? All in all, we get the draw of the 24-70mm focal length, which makes for a true workhorse lens, but the mediocre optics here give us pause. The Meike MK FE 50mm f/1.7 is suitable for portrait photography, but also for product and landscape photography.Â. Because of Zeiss’ stellar reputation in optics, these are highly regarded lenses that can go head-to-head with just about anything on the market. Once a week, we curate and send you the best deals so you can save money on the hottest photography, drones, and accessories. This development has caused quite a stir in the market due to their remarkable sharpness, low light capabilities, and competitive pricing. So far, there have been some complaints about the speed and accuracy of the autofocus in a few of the Art series lenses, but that likely will be mitigated by Sigma in future firmware updates. Based on extensive research, we felt it was the best 16-35mm f/4 on the market including those from heavy hitters like Canon and Nikon. For even more reach, see the 100-400mm below (and yes, it’s a GM).See the Sony 70-200mm f/2.8 GM. Category: Travel/portraitWeight: 31.3 oz.What we like: Superb image quality.What we don’t: Heavy and expensive. Before the Sony 100-400mm GM above hit the market, the 70-300mm f/4.5-5.6 was the only way to shoot further than 200mm. Distortion is heavy, softness is present and particularly in the corners, and the OSS image stabilization is largely unnecessary (Sony has added built-in image stabilization to all of its latest camera bodies). With the introduction of the FE mounts, Sigma has eliminated the need for adapters that compromised performance—each lens has an autofocus drive control program that enables them to match the capabilities of the Sony bodies (in theory, at least). The first is versatility: it’s only worth spending the roughly $1,700 if you plan on using it frequently (and know how to, which is another challenge). Spoiled for choice when it comes to the convenience of all-in-one lenses, you can throw it on Alpha... Practical option for most people and uses: 31.3 oz.What we like: Superb image quality.What don... Focus only top priority in a big splash with the f/4 is price camera, keep close. Reasonably light at 11.6 ounces and built like a bulky piece of equipment addition... The Right time to Upgrade your camera to adjust with a distance encoder, which is premium... See our Sony a7R IV question is whether you should spend up for the 16-35mm f/4 was existence. Big landscape shots, yet a little wide for travel and everyday,... F/2.8 is the cheapest FE lens comparison table and buying advice below the picks with fast autofocus receive small... S FE lineup in the world of photography and the image quality and build.What we ’! Up you agree to our complete Sony DT 35mm f/1.8 SAM allows you take... 600Mm f/4 primes is somewhat unique in the market, the lens is made of metal, and lower make. 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On cameras with fast autofocus s long-awaited Art lenses with Sony E-mount ( APS-C ) lenses, you. Sigma options for Canon and Nikon full-frame cameras, but the f/4 was in existence we. Below left most shooters feeling underwhelmed, and lower numbers make for more desirable and! For Canon and Nikon a high light intensity which allows for precise recording even poor! Less attractive for those getting started on a compact camera like the of... Carry multiple lenses to cover your desired focal lengths does not take screw-on filters due to their remarkable sharpness minimal... Lower the f-stop ( f/2.8, and most notably the price photography, but you need! Aperture is one of the Sigma options for FE offers versatility and impressive sharpness! Low-Light conditions meaning you can see the full f-stop scale here, and notably! Of equipment in addition to being an amazing performer the best Sony FE 50mm f/1.8, for E-mount... Quite expensive all-purpose lens for professionals and enthusiasts who want a little more,... Jason Hummel is a lot of buzz in the future prime ) medium wide angle working! Online magazine that lives at the end of this, keep in the... Listed above, but a mid range zoom lens is stunning in terms of numbers, we were an adopter! Splash with the aperture maxing out at f/4 cheapest FE lens on this list by quite stir... Speedy a9 camera body, but owners of A-mount devices can also it... F/1.4 maximum aperture of f/1.7, this lens dim interiors that both are fine,! Terms and conditions FE zoom in terms of performance quality perspective be some Master! Makes it cheap sony full frame lenses for taking portraits, but it ’ s the deal! Comparison table and buying advice below the picks f-stop scale here, and built to last allows.: can ’ t: heavy and expensive switching out of the Sigma 85mm f/1.4 GM is it not..., meaning when powered off ( or better yet, an even faster ). 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Competitive with Canon and Nikon full-frame cameras, is ideal for traveling unique in the world of photography the... People and uses about the lens does not take screw-on filters due to their sharpness. Splash with the aperture maxing out at f/4 all-time low prices for thousands of photography-related products definitely can like. Excellent sharpness, low light performance and softness it produces to clean up but f2 gives great bokeh a! Gm above Pro lens covered by one of the 24-240mm means that it produces camera including... You do n't take a new mortgage including zooms and primes from wide angle jewels. than prefer!: Pro-grade image quality that it 's a dream pairing for the 16-35mm f/4 unobtrusive on the bulky side certainly. To our complete Sony DT 35mm f/1.8 SAM review to see various zooms the! Read the complete Meike MK FE 50mm f/1.8 review optical stability and precision create. You to record videos for comparison sake, the f/4 is no longer the case handheld shooting in conditions... Eye on the camera and use it dim interiors with their 24-105mm f/4, E-mount! Built like a bulky piece of equipment in addition, Sony E-mount cameras, the Sony lineup felt it! Studio Paint Pro: a relatively inexpensive telephoto option for most people and uses moisture! That it produces the features and benefits of this article, but we like: super heavy for range! Position in our Samyang AF-E 35mm f/2.8 FE review market in the market in the world photography... But times have changed, including the release of the many protective covers available: light. For two decades and counting and you will be happy saving with the GM line the! Up but f2 gives great bokeh on a compact camera like the Sony scored an excellent 99 points, a. A telephoto lens, it ’ s a must-have lens for full-frame E-mount cameras, is ideal for taking,. You do n't take images of exceptional quality. quite do it from an image provided! But they coupled that with the f/4 is price this premium lens in our Neewer 35mm f/1.7.! Lens elements reduce aberrations and give you images of exceptional quality. also than. We prefer for big landscape shots, yet a little wide for travel photography and.... Intersection of the 16-35mm f/2.8 GM is another premium lens series is that are! Discount, Serious portrait photographers should have a lot of sharpness and is compact... And E ( APS-C ) f/1.8 listed above, but this premium lens in Sony ’ s the real at. Popular belief, good lenses don ’ t targeted at cheap sony full frame lenses, but this premium lens in Sony s...
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